HOME
Books
Images of Being
Stone Garden Publishing, October 2011

Click here to purchase book at Amazon


1. Nicolette Milholin of the Montgomery County News
“Like a well-written memoir, Sahms-Guarnieri’s work
shoots straight to the center of human experience
instead of hiding pain under a false fabric of pretension.”

Click here for Review


2.Barbara Bialick of the Boston Area Small Press and Poetry Scene
“to Diane Sahms-Guarnieri, images are an all-important way
she remembers people from her childhood and on into motherhood.”

Click here for Review


3.Christine O'Leary Rockey of the Almost Uptown Poetry Cartel
“Her writing is wonderfully conservative in that way that poets
strive for- each word matters and is artfully placed against another
to create maximum impact in sometimes very small spaces."

Click here for Review







Light's Battered Edge
Anaphora Literary Press, October 2015
Now Available at Amazon.com

Click here to purchase book at Amazon


The familiar Gospel song may reassure us that "His eye is on the sparrow,"
but for those at the battered edges of our society, too often it doesn't
seem that way. Here, Diane Sahms-Guarnieri catches sight of
"a sparrow by its own forgotten self,"
and that sparrow stands in for other "forgotten" ones: the homeless,
the wrecked, the ill,a family of forebears "visited" by comprehensive
Job-like "Misery." Even as she shows us "light's battered edges," however,
Sahms-Guarnieri makes us sharply aware of
"life playing / disharmoniously and harmoniously": love so close it's
"like being safely snug inside / the lining of another's skin";earth itself
surrendering "to each / sunset" "in a thankful swaying sort of way";
a soul snatched up animistically, "lifting, lifting, lifting into light."
These compelling poems leave us disquieted, as much by beauty as by sorrow.
Nathalie F. Anderson, Author of Quiver
Professor, Swarthmore College



Think of the spirit of place as the frame of memory shaping language,
of the perpetual soliloquy of being who you are in counterpoint
with echoing phrases others have uttered at or to you,
and you will have some idea of the chant and enchantment
of the poems gathered in Light's Battered Edge.
There are some hard truths in these poems -
about abusive spouses, about the wear and tear
of caring for others. But underlying it all
is the sense of what love really means.
Frank Wilson, books, INQ. - THE EPILOGUE






Night Sweat
Red Dashboard Press, January 2016
Now Available at Amazon.com

Click here to purchase book at Amazon

Wherever Diane Sahms-Guarnieri takes you, she takes you all the way there,
soul and senses rendered high-definition cameras, taking in history, loss,
family, humor, and eros in a world brought alive. Night Sweat,
her new book, moves among her beloved Philadelphia and environs, Old City,
Christ Church, where “the present belongs and does not belong,” even
the drug dealers at Frankford Terminal - then we’re in a bed of fire
and fondly remembered love, then “friendship, the hinge of a calm shell,”
then a flower field, with “seductive” tulips and “slightly badass”
dandelions, then ancestors, relationship, descent from Lenape settlers
and from the stars alike (“Stars connect us: they are lineage”).
This poet is a singer, of car accident, graffiti artist, or the marriage
(told in a hilarious poem) of William Carlos Williams and Flossie.
After reading Night Sweat, you will live in a different world — or,
rather, thanks to Diane Sahms-Guarnieri,the world you always lived in,
all aching beauties laid bare.
John Timpane, Assistant Books Editor/Media Editor Writer,
Philadelphia Inquirer


Diane Sahms-Guarnieri’s Night Sweat is a moving collection of poems.
In Sahms-Guarnieri’s poem “Sunset” she writes:
“Everything has its own way of entering into night.”
Many of her most memorable poems are intimate and unprecious portraits
of people and urban landscapes and the psychic interplay of each
in the other. Here people and places live inside each other
and vice versa. In the poem “Delaware River” she describes the river as
“a snake/who has swallowed a mouse/it carries it through night/like a dark
and dirty secret.” There is also much flora and fauna in the book, but
Sahms-Guarnieri’s edge remains. She writes “I have come to mistrust
the wisdom of trees/ their disguises.”Sahms-Guarnieri is a tough
and tender poet. Her poems bridge time and memory
in ways that unexpectedly reveal our present.
Thomas Devaney, poet and author of The Picture that Remains
and A Series of Small Boxes


In Night Sweat, Diane Sahms-Guarnieri explores the physical
and emotional landscapes of the places and people she loves
She knows these places. She knows these people.
And she writes with both the authority and humility
of a poet fully engaged with these worlds.
Jim Daniels, Thomas Stockham Baker Professor of English,
Carnegie Mellon University


In a city that looks back, reflective as the moon,
Diane Sahms-Guarnieri hangs life on the line from clothespin
to clothespin to clothespin, billowing in the night breeze,
a breeze that chills but does not cool.The light Night Sweat
sheds on the city is not the glare of sun, but the haunting
vision of moonlight that touches at once the subliminal
and the sublime. In a striking array of poetic images,
reflecting together Ash Can Art and Georgia O’Keefe,
haunting and dazzling at once, as moonlight illuminations
provide tantalizing glimpses in a landscape revealed only to
the exquisite extent that moonlight allows.
Mike Cohen, Host of Poetry Aloud and Alive &
Contributing Editor of the Schuylkill Valley Journal

HOME